First Tonglau Declared Monument - Lui Seng Chun
This month my blog continues the tonglau series by introducing Lui Seng Chun, the first tonglau to be declared monument in Hong Kong, which reflects the importance of vernacular architecture is gradually gaining official recognition, implies the hope of tonglau conservation. More importantly, Lui Seng Chun is the chosen site in my first group project 6 years ago, so I want to encore une fois to deepen the research.
On 18th November (Friday), I joined the guided tour (REGISTRER HERE), also asked the neighborhood for oral history. Their knowledge and insight provide bottom-up perspective to understand this building significance and revitalization effectiveness, which fill the gap of the official information.
Lui Seng Chun is a four-storey prewar tonglau built in
1931, designed by the architect W. H. Bourne, and owned by Mr. LUI Leung. It is
a representative example of the third generation shophouse built of plastered
red brickwork covered by cement and repainted in cream lime wash colour scheme,
and reinforced concrete beams. The building was donated to the government by
the Lui family in 2003 and then revitalized to a Chinese medical and healthcare
centre with an herbal tea counter by the Hong Kong Baptist University in 2012 under
Batch I of the Revitalising Historic Buildings Through Partnership Scheme (R-Scheme).
The shape of this building is like a ship in sweeping
horizontal lines with rounded façade corner and projected canopies, looks ready
to sail out from the Class B site[1] to the road. Actually, it is
one of the characteristics of Streamline Moderne style architecture that
emerged in the 1930s influenced by the advanced transportation and movement especially
the fashion of the luxury ocean liner.
The first interesting part is that we can vaguely see the commercial
advertisement letters on the granite column on the ground floor, which retain
its historic value, greatly attributed to the effort of conservationist by handwashing
with mild detergent.
Building material is one of my interests, so I notice more the comparison of the material before and after revitalization. For example,
the shanghai plastered exterior wall on the ground floor was finished in terrazzo
in three colours – green, red and yellow. Some parts differ in colour
code and composition, but they are distinguishable between the original and
the new one. The original terrazzo tile is composed of black gravel, white and red
oyster shells and polished to a high luster, which has a higher quality to be
shiny under the sun. To retain the architectural significance of the place, the
damaged terrazzo tiles were replaced by new terrazzo, which is like-for-like
but duller. It reflects the rarity and loss of craftmanship.
On the exterior wall facing Lai Chi Kok Road, there was wooden
shutters for the display windows. There are couplets on the both sides of the
wooden shutters highlighting the business nature of Lui Seng Chun. According to the
tour guide, it was used to sell bone-setting medicated wine which was
convenient for passengers to buy the medicine outside the shop on the street. Some
missing parts of glass panes and characters were kept in original state, which
can retain authenticity.
In the interior area of the ground floor, there are two wooden plaques hung high at the entrance. The plaque bearing the name ‘’King Fook Tong’’ is the title of ancestral hall used to denote a particular branch of the Lui family, which is associated with the hometown of Mr. LUI Leung – King Fook Tong in Gongyi Port in Taishan. Taishanese always used the title of ancestral hall as the shop’s name, so the plaque tells the originality and the spiritual story of Mr. Lui’s medicated wine.
From 1/F to 3/F are the former residence of the Lui family, which illustrate the ‘shop below and dwelling above’ living style in the past. The front verandahs were the main living area for people since it is cooler than the interior rooms, and provide shade and shelter from the hot weather. The tour guide also said the descendant of Mr. Lui even rode a bicycle along the verandahs due to its circular shape.
Another interesting finding is that 1/F and 2/F are more
decorative. There are some architectural elements and decoration only found in
these two floors, such as the urn-shaped balustrade on the front verandahs, and
the capital of the columns carved with the Greek key (this pattern symbolizes
unity, infinity and the eternal flow of life through reproduction), which
reflects the mix of architecture style in streamline modern and neoclassical
design.
[1] “class B site”(乙類地盤) is defined by a corner site that abuts on 2 specified streets
neither of which is less than 4.5 m wide, source from Cap. 123F Building
(Planning) Regulations ─ Regulation 18A Site classification.











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